Penerbitan Soroku Murata

Buku

Artikel

  • "Vaiorin zukuri no Oyagata, Shūgyō Jidai [Apprenticeship years of a master violin maker]". Geijutsu Shinchō. Shinchōsha. 15 (3): 130–132. March 1964.
  • "Vaiorin to Mokuzai [The Violin and the Wood]". Mokuzai Kōgyō. Nihon Mokuzai Kakō Gijutsu Kyōkai. 20 (2): 75–79. February 1965.
  • "Nihon Mokuzai Kakō Gijutsu Kyōkai". Kagaku Asahi. Asahi Shimbunsha. 26 (10): 83–86. October 1966.
  • "Vaiorin no Meiki to sono Shūhen. Vaiorin Seisakusha no Ichigen [Famous violins and their context. A word from a violin maker]". Ongaku No Tomo. Ongaku no Tomosha. 32 (7): 114–116. June 1974.
  • "Nihonjin ha Kiyō deha arimasen. Kokiyō nano desu. [Japanese are not craftsman specialists. But they are skillful generalists]". Ginō to Gijutsu. Shokugyō Nōryoku Kaihatsu Gijutsu Zasshi. Koyō Mondai Kenkyūkai. 1975 (4): 1. June 1975.
  • "Mai Supiikā wo kataru [Talking about my speakers]". Rajio Gijutsu. Aiē Shuppan, Inpuresu. 31 (2): 179–187. January 1977.
  • "Watashi no Shūgyō Jidai. Nishi Doitsu no Totei Seido [My apprenticeship years. The training system in West Germany.]". Bōsei. Tōkai Kyōiku Kenkyūjo. 8 (2): 58–65. February 1977.
  • "Shin, Vaiorin Dangi [Updated version: Sermon on the violin]". Kyōiku Ongaku. Ongaku no Tomosha. 21 (9): 26–28. September 1977.
  • "Vaiorin Seisakusha ga tsukuru Ōdio no Sekai [The acoustic universe created by a violin maker.]". Rajio Gijutsu. Aiē Shuppan, Inpuresu. 33 (2): 32–33. January 1979.
  • "Maisutā Seido no Chōsho to Nihon no Kantokusha [Advantages of the German Master System and Japanese supervisors.]". Sangyō Kunren. Nihon Sangyō Kunren Kyōkai. 25 (10): 2–17. October 1979.
  • "Murata Soroku, Chiyonobu Takashi: Taiwa. Ongaku, Ningen, Kyōiku [Murata Soroku, Chiyonobu Takash: Exchange of opinions. Music, Human Beings, Education.]". Kyōiku Ongaku. Ongaku no Tomosha. 35 (7). June 1980.
  • "Gakki no hanashi (II) Gengakki [Talks about music (II): stringed instruments]". Nihon Onkyōgaku Gakkaishi. Nihon Onkyōgaku Gakkai. 36 (8): 414–418. August 1980.
  • "Chūkohin [Used Goods]". Tashikana Me. Kokumin Seikatsu Sentā no Kurashi to Shōhin Tesuto no Jōhōshi. Kokumin Seikatsu Sentā (11): 49. November 1982.
  • "Nipponjin'83 [The Japanese in *83]". Shūkan Gendai. Kōdansha. 25 (8): 80–84. February 1983.
  • "Vaiorin [The Violin]". Konsensasu. Konsensasu Henshūbu. 1983 (9): 10–11. September 1983.
  • "Murata Soroku, Tanahashi Yūji: Shokuningei ga Geijutsu ni Shōka suru Toki (Kokoro wo kataru) [Murata Soroku, Tanahashi Yūji: When craft sublimates into art (spoken from the heart).]". Tsūsan Jānaru. Tsūshō Sangyō Chōsakai. 17 (7): 78–85. June 1984.
  • "Vaiorin ni umorete shinitai [I want to pass away buried in violins.]". Rikurūto Kyaria Gaidansu. Rikurūto. 23 (1): 60–65. January 1991.
  • "Vaiorin ni mochiirareru Sozai [Materials used for Violins]". Shinsozai. Nihon Kōgyō Shuppan. 3 (11): 50–53. November 1992.
  • "Vaiorin Seisaku Mini Gaishi [An unofficial Mini-History of Violin Making]". Kenchiku Zasshi. Nihon Kenchiku Gakkai (1341): 14. April 1993.
  • "Vaiorin wo tsukuru Zaimoku [Wood used for violins]". Bōsei. Tōkai Kyōiku Kenkyūjo. 25 (1): 24–27. January 1994.
  • "Kono Hito ni kiku "Ii Oto wo dasu Baiorin ha mitame mo Ereganto desu." [Ask this person. "A violin that sounds good also looks elegant."]". Kyōiku jihō. Tōkyōto Shinkyōiku Kenkyūkai (571): 11–14. August 1995.
  • "Gengakki no Rekiji (1) ~Tanjō (?) kara Kuremona ha no Shutsugen made [History of strings (1): from the origin (?) to the appearance of the Cremona school.]". Ongaku Gendai. Geijutsu Gendaisha. 34 (8): 87–89. August 2004.